A self-contained scene is one that can be shot in its entirety. Now this is fine for the writer, but production needs to know how many scenes are in the script and which of those scenes are self-contained. The script is ready? Time to start breaking it down!īelow is an example of a Scene Heading from a writer’s draft: – Rachel Noll, Producer of The Storyteller. We wanted to get this stuff locked down early so we could start booking travel for our actors. This happened in January – 5 months out from the shoot. Once we had a general idea of what our locations were and where they were located, and had secured our cast and confirmed they had no conflicts with the shoot dates, we sat down with our 1st AD to break down and schedule the script. So how does a filmmaker know when their script is ready for breakdown? Now let’s be honest, a script is never truly finished. We waited until we were pretty certain there would be no more major changes – because we didn’t want to lock in the shoot dates until we were sure no locations would be changing dramatically. It won’t do you any good to start planning your production if the script is still in the collaborative stage. The first step in the script breakdown process is to have a script that you feel is ready to be broken down. This should not be confused with a casting breakdown, which is used when finding your actors. How does one find all those elements? Simple: They are in your script.Ī Script Breakdown is when the producer and/or the first assistant director take the locked script and go through and mark the occurrence of every element. To create the best schedule, you must account for every element in your story. The schedule provides a timeline for your film and allows you to fully plan how your budget is going to be divided. It includes when locations need to be secured, crew hired, when and where wardrobe and props are needed. A schedule isn’t limited to when you’re going to shoot the film. A key part of the pre-production process is building a schedule.
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